The Patriot Film Analysis

The nationalist Film Analysis The Patriot is an American diachronic consume star Mel Gibson and directed by Roland Emmerich. It is set in in the south Carolina, one of the thirteen British colonies set in America. The look at follows the tommyrot of a Patriot named gum benjamin Martin. This genius is a personateal of American renewal War hero Francis Marion. In the film gum benjamin, is recognized as a war hero from the French and Indian War. only he has retired from a life of involution and is attempting to follow the virtues of pacifism, until his family becomes the target of war.After the death of genus Benzoins son and capture of a nonher, he is thrown back into the life he thought he has left behind. The sojourn of the film portrays the drama and action that leads up to the climactic battle depiction of involvement of Cowpens and the victory of South Carolina in the Siege of Yorktown. Although the story of Benjamin is make and inspirational, it is based off of i naccurate historical assumptions. The American Revolution visualised in The Patriot was more about the war America wanted it be earlier than what it was.The film glorifies American victories as closely as American war heroes, bit portraying the redcoats as sadistic, brutal, and abominable creatures. A perfect example of much(prenominal) influence is the films antagonist, Colonel William Tavington, who is a assumed represendation of General Sir Banastre Tarleton. The film uses misconception and inaccuracy to portray the victory of America over the British, as a representation of a sanctified glory of angels over demons.The film starts with elementaryton inaccuracies that can be excused, however these simple inaccuracies domino into great blunders that cannot be do by Some minor mistakes made by the film involve errors much(prenominal) as the materials used during the age period, do not actually belong to that time. For example in several action sequences of the film, weap ons such as exploding projectiles or bombs are presented. Although canons were invented in this time period, none of the projectiles ever exploded (Canon link).An another(prenominal) disfigure involves a major(ip) societal misunderstanding, when Benjamin goes to war, he sends his children to a hard worker liquidation for shelter, for which the slaves are honoured. In the colonial Era, slave colonies, like the ones portrayed in the film, were sequestrate and protective from the White colonists. Therefore it was extremely unlikely that a face such as Benjamin would send his children to a slave colony, let alone cosmos treated kindly for doing so. One of the major inaccuracies is the slave and owner relationship portrayed by the film.For example during the colonists stand against the British Army the Continental Congress states an order. For all slave that serves 12 months in the Colonial Army, will gain freedom and 5 schillings per month served. When comparing this claim with other informants, it was discovered that no such claims were all-encompassing by the Continental Congress. Infact, The Patriot ignores thrall in total. Director Spike lee was one of the many another(prenominal) novices that were disappointed with the films inaccuracies. For tierce hours The Patriot dodged around, skirted about or tout ensemble ignored slavery, he wrote in a letter to The Hollywood Reporter. The Patriot is pure, continuant American Hollywood propaganda. A muster out whitewashing of history. (http//www. guardian. co. uk/film/2000/jul/06/news. spikelee) The film director of the film, Roland Emmerich, misguides his audience into idea that the British troops are monsters sent from hell. The film portrays the character of William Tavington as a merciless villain who commits intolerable atrocities. For example, a scene in the film depicts the redcoats congregation the entire village including women, children and unarmed men.They rive all of them into a chur ch building for an enquiry about Benjamin, after which they lock the church from the outside and set the building on fire. Looking back into the American Revolution, such atrocities were neer committed. Although the Sir Banastre Tarleton, portrayed by, William Tavington, is no saint, he wasnt as evil as the film potrays him. A film critic and a historian, Stephen Hunter, told the Telegraph (magazine) that Any watch of the American Revolution which represents you Brits as Nazis and us as gentle folk is virtually certainly wrong (Cite this).The German director relates the actions committed by the Nazis in creative activity War II, to those of British in the film. other major dishonor of the film is the protagonist, Benjamin Martin. The movie depicts Benjamin as symbolic representation of goodness, a beacon of hope and a human vessel for an angel. However the character Benjamin Martin tries to portray Francis Swamp throw off Marion, a militia leader during the Revolution, from South Carolina. According to The Guardian, there were records of Marion persecuting and killing many Cherokee Indians.He hunted them as a source of entertainment and he raped many of his female slaves. However the movie precisely depicts Benjamin Martin as the untainted hero. at last the movies greatest flaw lies in its climatic battle, Battle of Cowpens. Where the tactic used by the militia were corresponding to that of the movie, however the results were nowhere in par of realness. During the Battle of Cowpens, militia was asked to play decoy. Although the film portrays General Nathanael Greene giving the orders, he was never present at this battle.The militia supercharged the battle, and after firing two shots go back to the hill, where the British troops were overwhelmed by the American Army. However the film portrays the militia firing more than two rounds sooner retrieval. Lieutenant-General Charles, Lord Cornwallis, commands his men to fire at the crowd of both Brit ish and American soldiers as a last reanimate to defeat America. However in reality Cornwallis never took such actions against his soldiers By Ratna Emani