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Monday, August 26, 2019

Communication theory related to a famous song Research Paper

Communication theory related to a famous song - Research Paper Example Songs such as â€Å"Now I’m that Chick† reinforces the complexity of the female psyche and their views on self-identity versus emotions on soured romantic relationships. This song best fits the profile of symbolic interactionism, which is best defined as a direct response that occurs not as a product of their views on another’s personal actions, but on the significance they give to the action itself (uregina.ca, 2000). Under this theory, meaning is created based on the direct social interaction that occurs with others in society and then meaning is further interpreted using various coping strategies or direct emotional outburst; whether negative or positive. Symbolic interactionism describes the various cultural symbols that help to shape both identity and a person’s reaction to various social stimuli (McClelland, 2000) such as the termination or hopeful renewal of what might have been a bad romantic relationship. The social norm for handling this situation might have been reinforced on the individual through various media formats or experience with peer reactions in similar situations and the individual develops their own symbolic meaning about these situations and then applies what they believe to be appropriate action. One line from â€Å"Now I’m that Chick† states, Cause you thought that I was pure as snow, guess you didn’t know, which is a form of self-reinforcement to another party, in this case an old romance, that the individual is emotionally strong and largely defiant. The lyrics seem to point toward the return of an old flame that wants to renew this poor romance and Franc identifies that such a thing would be impossible for her to endure based on the symbolism she attached to the experience. Another line states, Now I’m that Chick, and you’re just a clown, in a further effort to either create her own defense mechanism (a psychological view) or to stab cruelly at the receiver’s

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